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Stitched in time

5/14/2025

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One of the easiest ways to identify the quality of a product, is to evaluate the craftsmanship used to make it.  Clothing is no exception to this rule.  This is one of the things that sets apart a tailored garment from one straight off of the shelf.  Bespoke Tailors go to great lengths to ensure their product is the highest of quality, and one of the ways that shows through is in the stitching used throughout the garment.  The same rings true in audio tailoring, as each component used in a recording must meet a certain standard, in order to achieve a high quality final product.  You might say the audio must be stitched together in perfect time.  Let’s take a moment to appreciate the parallels between the stitching of a custom garment, and the stitching of a custom recording.



Consider for a moment, what is involved in stitching a seam in a custom fit pair of pants or a beautiful dress.  The tailor needs the correct type of needle, one that is meant for the thread and fabric that is being used, and must determine the proper stitch pattern needed to achieve the desired look.  The needle(s) in an audio recording are the instruments or voices being used to bring it to life.  Think about it…Mozart’s instrumentation list never included electric guitars or harmonicas.  Rather, his classical pieces used the tools necessary for that sound, such as violins, cellos, and horns.  In The Audio Tailor studio we make choices in much the same fashion.  The combinations that lead to that custom sound are carefully chosen every time.   

Whether in the hand of a tailor or in a machine, from the needle flows the thread used to make the stitching.  The thread itself can say a lot about a garment.  What the thread is made of, or what color it is in relation to the fabric can really add a unique flair to the design.  The same rings true for audio.  The sound of an instrument and the frequency that it emits, allows it to sit in its unique spot in a mix.  Of course, when considering the human voice, it may be the best comparison to the thread of a garment.  Each one is custom, and produces a waveform that is all its own.   

Speaking of waveforms, though they represent the actual sound that is being made, and are thus the heart of audio, we would be remiss to not point out their similarity to the stitch of custom clothes.  Think about the motion of the head of an electric sewing machine…how fast it goes up and down (the frequency) determines how that stitch looks and holds the fabric together.  The waveform of a sound, as shown in the inset image, likewise determines what that final audio product sounds like.  

It’s simply amazing how these disciplines parallel each other in so many ways.  It is a privilege to be able to bring the art of a Tailor to the world of audio and give our clients a custom fit.

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Tailoring is a cut above

4/9/2025

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Before a fine suit jacket is ever ready to slip on, it must be cut to the exact specifications that a tailor has determined.  The same is true in audio editing.  A recorded track always requires a certain amount of trimming before it can be further edited into an overall project.  Let’s take a quick look at how cutting or trimming, using scissors, applies in both bespoke tailoring and audio editing.  

Did you know audio engineers use scissors?  It’s true!  Fortunately in these modern times, there’s no chance of injury though.  Rather, the scissors are a digital tool, included in most recording software.  Scissors are, of course, also a standard tool at the disposal of any bespoke tailor who is making perfectly fitted outfits for their customers.  In both professions, cuts are made for various reasons.  A clothing tailor uses scissors to cut away excess fabric not needed in the design.  These cuts are broad and allow for easier handling of the fabric as they narrow down the piece.  The same rings true for audio, as an engineer makes cuts early in the process to trim off larger sections of recorded material that may have been originally captured to ensure nothing was missed.  These extraneous sections of audio that are removed could be used as B-roll audio or “blooper reels”, much like excess fabric can be used for smaller applications within a design.

After making broader changes, both disciplines require a more detailed approach.  The clothing tailor needs their scissors to trim precise edges in the material in order to conform to the exact measurements required for their client.  In the same vein, the audio tailor must drill down to exact moments in time to precisely trim audio waves so that they not only fit in time, but also match up correctly to other elements in the recording.  There is much that could be said here about the similarities between the two tailors in regards to the types of projects they are working on, and the material they are working with, but we’ll save that deep dive for another day.  For the purposes of this writing we’ll simply acknowledge that there are additional parallels between the two.

It would be a disservice to conclude without acknowledging the different types of cutting tools used in both professions.  A clothing tailor utilizes a few different pairs of scissors depending on what they are cutting and the desired finish.  Larger bladed scissors are used in cutting larger pieces of fabric.  They can vary in length and construction depending on the weight and thickness of the fabric they are intended for.  In much the same way, the audio engineer uses a “larger” tool when editing bigger sections of recorded material.  It may be a long pause in a vocal recording or an orchestra instrument that rests for a few measures.  Those broad cuts can be made differently than the more surgical cuts needed to trim a specific waveform.  Also, in clothing, there are precise edges needed for seams, and excess thread must be snipped cleanly.  Those applications require smaller scissors with different edges and points.  The waveform of a recording is much like the stitching in fabric (more on that in another writing).  Therefore, to precisely trim a waveform at the millisecond level (the equivalent of a single thread of stitching), a more precise approach must be used.
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Honestly, the way these two disciplines mirror each other in the task of trimming and cutting is remarkable.  Both of them rely on precision and craftsmanship to achieve products that are not only second to none, but are also highly specific to the clients they are created for.  The act of shaping their respective material in this way is central to the work of each of these professionals.  Ultimately, each crafts a product that has a look or sound that is unique, and fits their client perfectly.

Audio software editing scissors
The scissors of an Audio Tailor
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What's in a Name?

3/11/2025

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Hello My Name Is Tag
by Chuck Brenneman

What does your name mean?  Many people are named after a relative or someone who is a role model to their parents.  Some folks, however, have a given name because of the meaning behind it, or the origin of the word.  Any of these reasons can be given to highlight just how important a name is.  That importance is just as evident when trying to name a new business!


The name of a business is the public’s first impression of that business.  It’s the initial handshake.  It sets the stage for what a potential client expects from the company, and can even cause that potential client to move on to another company before they give the business a chance!  If you couple that with the logo of the company, now you have not only an initial impression, but a brand identity that determines how well that client remembers the business.  That's a lot!  But if carefully chosen, the name of your business can kickstart its success.

When the idea for The Audio Tailor was born, it was just that, an idea.  A desire to customize audio for clients needing voiceover, music tracks, mixing, mastering and the like.  Multiple services, under one umbrella, created the challenge for naming the company.  So, from the initial list of names that we developed, how did we finally land on The Audio Tailor?

In its most basic sense, the answer to that question is alignment.  The simple definition of a Bespoke Tailor is someone who creates clothing that is custom made to the specifications of an individual client.  They pay attention to the details, and make needed adjustments until their client is satisfied and their needs are met.  That is the mission of The Audio Tailor, just without the fabric.  We strive to make whatever audio our clients ask for, fit perfectly to their needs.  Our business model aligns with that of a clothing tailor in almost every aspect, and many of the elements that make up each discipline mirror each other completely.  More on that in upcoming articles. The other, shall we say, more subtle aspect of it, is the feeling invoked by the title “Tailor”.  Clothing tailors are often pictured in custom clothes of their own, organized, and focused on the task at hand.  These are traits that we want potential clients to think of when they see our name as well. 

So, what does our name mean?  It means we are committed to high quality, custom audio for each and every client we serve.  Just as a clothing tailor takes specific measurements and details related to the garment that they intend to make, so we at The Audio Tailor listen to our client’s needs and the outcome they desire for their project, and then work to that end.  Ultimately, we want our customers to feel that their audio fits them perfectly.  To do so, it must reflect the personality and intent of their brand or organization, and achieve the purpose that it is meant for. 
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In the coming weeks, we will look more closely at the similarities between the work we do in The Audio Tailor studio, and the work done by clothing tailors around the world.  We believe you’ll agree that the two disciplines are more alike than they are different.

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The Sound of a Dream

1/17/2025

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The Sound of a Dream
By Chuck Brenneman
with Leland Franklin


With the annual observance of Martin Luther King Jr. Day just a few short days away, it got me thinking about the audio of that era, and what the sound might have been like that afternoon.  So, I went back and listened to the entire speech again.

Being an Audiophile of sorts, it is always interesting to me to think about how things sound, how they achieved that sound, and etc.  That resounding statement, “I have a dream today!” came through loud and clear.  But what was it like for the audience that day?  After research and consideration, I’ve put together a few thoughts that I hope you enjoy.

Let’s start with some perspective….I wasn’t alive in the 1960s and I do not fancy myself an historian.  The intent here is not to take a stance on the March on Washington, MLK Jr. himself, or what transpired during that time.  This is meant to be fun and informative!  There, we got that out of the way.

It’s a sweltering August day in 1963 and you have to make sure roughly 250,000 people, spread over just under a mile long area, can hear the important message that is being delivered.  After all, what’s the point of crafting an amazing message (about your brand, product, or something that will change the course of history) if no one can hear it?  History tells us that those who helped organize the March and subsequent speech that day, followed a similar mantra.

In 1963, the average amount spent on renting a sound system for outdoor events in Washington during that time was about $1000 to $2000 (10k to 20k in today’s economy).  These organizers knew that wasn’t going to suffice.  They got sponsorship and rented a $20,000 sound system (~200k today), allowing them to reach the group of people farthest from the Lincoln Memorial.  Why spend that much on sound alone?  Because they understood that the message was not only important, but it would aid them in their effort to maintain peace, and keep the audience focused on the cause.  That meant safety for everyone, and it also meant that everyone was clear about the cause and how to go about achieving their goals.

While details aren’t available on what exact equipment was used, it is fascinating to consider what all must have been in play that day from an audio standpoint.  
1) How many amplifiers were needed to carry the sound down the length of the Mall?  
2) How far did they have to space out the speakers and how many speakers were needed with the technology of the day?  
3) How did they deal with the latency created by the long runs?  
4) Where did they plug it all in!?  
The logistics of the setup must have been mind blowing, and yet because organizers brought in a team who had the knowledge and experience needed, the message came through loud and clear.  It can’t be emphasized enough, in this day and age of digital devices, wireless and bluetooth connections, and smart phone apps, that relying on a professional to make sure your message sounds its very best can still make a monumental difference.  (See what I did there?)

A couple historical side notes worth mentioning….
Contemporary reports suggest that the night before the speech, the sound system was sabotaged.  While details about the extent of damage aren’t available, accounts agree that it was The Army Corps of Engineers that fixed it in time for the speech to occur.
Some historians believe that the Department of Justice had a contingency plan involving the sound system, should anyone get control of the microphone and try to incite the crowd or encourage violence.  They were prepared to either cut the power altogether, or cut the microphone and begin playing music for the crowd.   

Everyone is familiar with the recording of the speech found on Youtube and often referenced on television.  The exclamation of “I have a dream today” rings through loud and clear.  After many years of audio editing experience, this sounds as though it has been enhanced and remastered.  In a way, what we hear today likely sounds better than what an audience member heard in 1963!  Here are some interesting elements of the recording from that day which have not been addressed.  There are several microphones on the podium, but it is highly unlikely that all of them were being used for the broadcast.  As MLK Jr. delivers the speech his head is moving for emphasis, which should change the sound levels, much like moving your phone while talking to someone.  However, this “proximity effect” does not occur on the recording despite his movement, and the volume rarely fluctuates.  Additionally, during roughly the first third of the speech, you can hear the echo of his voice (after all, he is outside in front of a stone building) but as it goes on that seemingly goes away. 

A couple additional elements stand out including; about halfway through the speech someone reached over and pushed down two microphones in front of King’s face, but you don’t hear anything on the recording.  One thing is for sure, microphones in the sixties did not employ the technology that we have today, so they were very susceptible to handling noise.  Also, there is high end static heard throughout the speech, but it is muffled as though some Equalization settings have been applied.  This high frequency EQ could also be responsible for making the clapping sound muffled, as though everyone’s hands are cupped.  

In that same vein, just why could we hear the clapping, and the voices in the crowd outwardly agreeing with King’s ideas?  It’s possible some mics were used on the crowd, which would’ve been another brilliant move by the organizers to use sound to add credibility to the message of Dr. King, and show the unity of the audience.

To conclude, despite the fact that this is an audio nerd’s dream discussion, it magnifies the importance of good sound when it comes to relaying a message to your audience, even in 1963.  Imagine if Dr. King had delivered his ‘Dream’ message, and only parts of it were loud enough to hear!  Imagine if professionals had not taken the audio and used their skills and their ears to make it so every word was clear.  Imagine the disappointment of the people that were standing there in the August heat, if they had arrived to find that they couldn’t hear anything that was being said by their beloved leader.  Would the speech be remembered the same today?  I guess we’ll never know, because someone realized that this message was important enough that it had to be tailored to the audience and the circumstances.  Now THAT is a concept we can always get behind.
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    Author

    Chuck Brenneman is the Owner of The Audio Tailor, Voiceover artist, recording engineer, and lover of all things audio related.  In this blog, he offers his thoughts on a myriad of sound and audio related topics.  

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